Plein Air at Twilight

Nature is one of the best places from which to gather reference. I’ve been working on a piece that is set during twilight. Using my memory, I made several attempts at a twilight color and value scheme in color studies but the look and feel just wasn’t coming across....

Reshaping Brushes

A few of my bristle brushes have splayed out so I experimented on how to reshape them. On most bristle brushes, the hairs have a slight natural curve to them. But with use they get out of shape. In “Painter’s Handbook: Revised and Expanded” by Mark David Gottsegen, he...

New Art on Dura-Lar

For my most recent project I’ve been drawing on Dura-Lar. It was suggested by another artist who has had excellent results with the stuff. I’m using the .005 matte film. Like with the vellum I used for previous projects, I drew my lines on one side and am building...

Lightfast

There are plenty of resources defining lightfast but I wanted to know what it looked like when something wasn’t lightfast. I wanted to use brown ink as a sketch tool by filling a Niji Waterbrush with it. I was told by one of the sales people at the art...

Oil Painting Experiment

I’ve been told not to paint with regular cooking oil. It’s isn’t a drying oil. Instead of just accepting this I got curious. Yesterday I made a little test. I used Raw Umber oil paint (it’s one of the faster drying oil colors on it’s own). The brand I...